âââââ Thereâs something truly special about Pixarâs Ratatouille. Released in 2007 and directed by Brad Bird, this film is a feast for both the eyes and the soul. The title itself is a clever little wink â on one hand, itâs the name of a classic French vegetable stew at the heart of the story. On the other, youâll notice a not-so-subtle nod to the … Continue reading Ratatouille
ââââ Ana Kokkinosâ Head On is a cinematic gut-punch â a raw, unrelenting exploration of identity, culture, and rebellion. Based on Christos Tsiolkasâ novel Loaded, the film follows 19-year-old Ari, a second-generation Greek-Australian navigating the chaos of his sexuality, family expectations, and the gritty streets of Melbourne. Itâs a story that doesnât flinch, doesnât sugarcoat, and doesnât apologize. Ari, played by Alex Dimitriades, is a … Continue reading Head On (1998)
by Frank Gaimari Kris Andersson is a name that might not immediately ring a bell, but his alter ego, Dixie Longate, has been making waves in theaters worldwide for over two decades. Born on November 29, 1969, in Ohio, Andersson has built a career that is as unique as it is inspiring. With a background in acting and a knack for storytelling, he has transformed … Continue reading Kris Anderssonâs Journey: Tupperware, Theater, and Fabulousness!
âââââ The Talented Mr. Ripley is a film that truly stands out â not just for its gripping story, but for its breathtaking cinematography. Set against the stunning backdrop of 1950s Italy, the movie takes viewers on a visual journey through sunlit coasts, the bustling streets of Rome, and the romantic canals of Venice. Every frame feels like a painting, capturing the beauty and allure … Continue reading The Talented Mr. Ripley (1999)
ââââ Parting Glances is one of those rare films that feels like a time capsule, capturing a specific moment in history while still feeling deeply personal and timeless. Set in 1980s New York City, the story spans 24 hours and follows Michael (Richard Ganoung) and Robert (John Bolger), a gay couple facing a major turning point. Robert is about to leave for a two-year work … Continue reading Parting Glances (1986)
ââââ Tony Scottâs 1983 debut, The Hunger, is a visual feast â every shot feels deliberate, every shadow and beam of light perfectly placed. The editing is sharp and hypnotic, pulling you into a world thatâs both beautiful and deeply unsettling. Itâs the kind of film that stays in your mind long after itâs over. The story follows Miriam Blaylock (Catherine Deneuve), an ancient vampire … Continue reading The Hunger
by Frank Gaimari This is a personal reflection of my journey with illness, written by me, Frank Gaimari, and shared in the hope of fostering connection, understanding, and resilience. The house is quiet tonight. Thereâs just one lamp on, trying its best to hold back the darkness, but honestly, it feels like the darkness is winning. Outside, life rolls on â cars pass by, someone … Continue reading What Matters Most: An Essay on the Eve of Chemotherapy
âââ It’s uncommon for people to leave a movie early, but at the premiere of The Bride, six audience members did just that. As they walked out, I couldnât help but feel disappointed that they hadnât given the film a fair shot. Looking back, maybe they already knew what the rest of us were about to discover â that The Bride is entirely unpredictable. Directed … Continue reading The Bride (2026)
âââââ In prison slang, taking the âMidnight Expressâ means only one thing â making an escape. The phrase evokes a desperate, fleeting hope when every other door is closed. Alan Parkerâs 1978 film transforms this idea into a powerful and raw journey, focusing as much on the struggle for survival as on the quest for freedom. From the opening frame, Midnight Express pulses with nervous … Continue reading Midnight Express (1978)
ââââ Watching The Lost Daughter, directed by Maggie Gyllenhaal, is an intimate and, at times, uncomfortable experience. The film, adapted from Elena Ferranteâs novel, doesnât sugarcoat the rough edges of motherhood or skirt around the big, unsettling feelings that can accompany it. Instead, Gyllenhaal presents a raw, unvarnished look at family, guilt, and the complex lives of women, creating a film that lingers long after … Continue reading The Lost Daughter (2021)
FRANK'S FILM REVIEW 