Down Low

⭐⭐⭐

Down Low is a bold, unapologetically Queer black comedy that takes audiences on a wild ride through self-discovery, chaos, and some truly unexpected twists. Directed by Rightor Doyle and co-written by Lukas Gage, the film is as outrageous as it is heartfelt, blending dark humor with moments of genuine vulnerability.

The story centers on Gary (Zachary Quinto), a newly out, terminally ill divorcé who is ready to explore his identity after years of repression. Enter Cameron (Lukas Gage), a young, free-spirited masseur determined to help Gary let loose — whether he’s ready or not. What begins as a simple massage quickly spirals into a series of absurd misadventures involving a hookup app, a dead body, and even a necrophiliac. It’s a lot to take in, but the film leans into its chaos with confidence.

Zachary Quinto delivers a nuanced performance as Gary, capturing the character’s mix of awkwardness, regret, and quiet courage. He serves as the emotional anchor of the film, and his journey feels authentic, even when the plot veers into the absurd. Lukas Gage, meanwhile, is a whirlwind of energy as Cameron. His character is brash, funny, and unapologetically himself, providing several great comedic moments. While Cameron’s over-the-top personality might not appeal to everyone, there’s no denying that Gage brings a lot of heart to the role.

The supporting cast is equally strong, with Judith Light stealing scenes as Gary’s hilariously nosy neighbor and Simon Rex delivering a memorable — and delightfully unhinged — performance as a necrophiliac “cleaner.” These characters add to the film’s offbeat charm and keep the energy high throughout.

What truly sets Down Low apart is its fearless approach to storytelling. This is a film that doesn’t hold back: it’s messy, raunchy, and full of moments that will make viewers laugh, cringe, and perhaps even tear up. It’s refreshing to see a movie that embraces its queerness so fully, without feeling the need to explain or justify itself. The humor is sharp, the pop culture references are spot-on, and the film’s heart remains in the right place.

That said, the film’s ambition can sometimes work against it. The plot is packed with twists and tonal shifts, which keep things unpredictable but can also make the story feel somewhat disjointed. There are moments when the film seems to lose focus, and viewers might wish it would slow down and let its emotional beats breathe. Still, the sheer audacity of the storytelling is part of what makes Down Low so memorable.

At its core, Down Low is a celebration of self-acceptance and living life on your own terms. It’s not a perfect film, but it takes risks and isn’t afraid to get a little messy. For those in the mood for something bold, funny, and completely unique, this movie is worth checking out. It might not be for everyone, but for those who embrace its quirks, Down Low offers a wild, entertaining ride that’s as heartfelt as it is hilarious.

Frank Gaimari is an author and film reviewer in Seattle. He lives with his husband and their two golden retrievers. You can learn more about his work at http://www.FrankGaimari.com.