Gods and Monsters

Frank’s Film Review: Gods and Monsters
⭐⭐⭐⭐⭐/5

Gods and Monsters, directed by Bill Condon, is a moving and visually stunning exploration of the final days of James Whale, the real-life director of Frankenstein and Bride of Frankenstein. While inspired by Whale’s life, the film is a fictional account of his last days, crafting a story about memory, identity, and the search for connection.

Set in the 1950s, the film follows Whale (Ian McKellen) as he grapples with the effects of a debilitating stroke that has left him physically and mentally fragile. One of the few openly gay figures in Hollywood at the time, Whale spends his days reminiscing about his past—his time in World War I, his rise in Hollywood, and his personal struggles. His life takes an unexpected turn when he befriends his young, handsome gardener, Clayton Boone (Brendan Fraser). Their unlikely friendship becomes the heart of the story, as Whale opens up about his life while Boone, a straight ex-Marine, wrestles with his own discomfort and curiosity. Lynn Redgrave plays Hanna, Whale’s loyal but disapproving housekeeper, who adds both humor and emotional depth to the film.

Ian McKellen delivers a career-defining performance as James Whale, capturing his wit, charm, and deep sadness. McKellen’s portrayal is layered, showing Whale as both a sharp, witty man and a deeply vulnerable one haunted by his past. Brendan Fraser, often underrated, brings a quiet strength and sensitivity to Boone. At the same time, Lynn Redgrave is brilliant as the housekeeper who cares deeply for Whale but struggles to accept his lifestyle. Ian McKellen and Lynn Redgrave earned Academy Award nominations for their performances. Although they did not win, their performances truly deserved an Oscar.

The cinematography by Stephen M. Katz is a standout element of the film. The visuals are a mix of lush, colorful scenes and black-and-white sequences that mimic the expressionist style of Whale’s films. Katz’s use of light and shadow creates a hauntingly beautiful atmosphere, particularly in the flashback scenes that blend Whale’s memories with his present-day struggles. The production design by Richard Sherman further enhances the film’s visual appeal, recreating the opulence of Whale’s Hollywood days and the eerie, gothic feel of his classic films.

Bill Condon’s direction is masterful, balancing the intimate character drama with moments of fantasy and nostalgia. Condon’s screenplay, which won the Academy Award for Best Adapted Screenplay, softens some of the harsher edges of the source material, making the story more accessible and emotionally resonant.

Despite its critical acclaim, Gods and Monsters struggled at the box office, earning just $6.5 million worldwide against a budget of $10 million. Since its release, the film has earned a devoted following. Many people now regard it as a quintessential classic of 1990s cinema. The film’s blend of historical fiction, stellar performances, and stunning visuals makes it a must-watch for anyone who appreciates thoughtful, character-driven storytelling.

Frank Gaimari is an author, film reviewer, and actor based in Seattle, Washington. He lives with his husband and their two golden retrievers. Learn more about his work at http://FrankGaimari.com.