Frank’s Film Review: Aftersun
⭐⭐⭐⭐ /5

Charlotte Wells’ debut feature, Aftersun, is a touching exploration of memory, identity, and the complexities of human connection. With remarkable performances by Paul Mescal and Frankie Corio, the film beautifully depicts the bond between a father and daughter during a holiday vacation.
Paul Mescal shines as Calum, a father who is both present and distant—loving yet weighed down by an inescapable sadness. His impressive acting, striking looks, and engaging presence captivate viewers, even during quieter scenes. Mescal’s portrayal of Calum is rich and layered as he grapples with unspoken struggles, particularly regarding his sexuality. Flashbacks of dancing with men and moments of reflection hint at his internal fight for self-acceptance, inviting the audience to sense his emotional burden.
Frankie Corio, as Sophie, is a true standout. Her natural depiction of a curious and perceptive young girl feels authentic as if we are witnessing real memories unfold. Sophie’s innocence and attempts to comprehend her father’s quiet sadness add a compelling layer to the story. The chemistry between Mescal and Corio is electric, making their bond tender and heartbreakingly fragile.
The cinematography stands out as a key strength, capturing the scenic beauty of the holiday setting while mirroring the emotional complexity of the story. The interplay between bright, sunlit exteriors and shadowy, intimate moments underscores the duality of Calum’s journey—his outward determination to be a loving father contrasted with his battle against depression and identity.
Aftersun is not a film of grand revelations or dramatic twists. Instead, it’s a slow, introspective journey that encourages viewers to engage with its silences and reflect on the complexities of human relationships. Paul Mescal’s Oscar-nominated performance is extraordinary, while Frankie Corio also impresses. This mesmerizing masterpiece, directed by Charlotte Wells, deserves a standing ovation.
Copyright ©️2025 by Frank Gaimari
