There’s Still Tomorrow

Frank’s Film Review: There’s Still Tomorrow
⭐⭐⭐⭐⭐ /5

There’s Still Tomorrow is a film that you will love. Directed by Paola Cortellesi in her remarkable debut, it unfolds in post-war Rome in 1946, capturing the struggles and quiet victories of a battered housewife. Everything about this film feels genuine—its setting, characters, and, most of all, its emotions in stunning black-and-white. The cinematography beautifully honors the legacy of classic Italian cinema, embodying the timeless neorealist style perfected by Italian filmmakers. Every frame is a triumph, bringing the film to life with timeless elegance and captivating artistry.

The story follows Delia, a mother of three, trapped in a life of hardship under her abusive husband, Ivano. Endless chores and suffocating control consume her days, but the real heartbreak unfolds when her eldest daughter, Marcella, announces her engagement. Delia begins to see her daughter slipping into the same patterns of submission and suffering that have defined her own life. The film is a moving portrait of a woman gradually finding the strength to push back and imagine a different future—not just for herself but for her children. This shift is subtle yet profoundly powerful, with moments that punch emotionally.

Paola Cortellesi, who also stars as Delia, delivers a raw and unforgettable performance. You feel her pain through the smallest gestures, and even the slightest moments of resistance feel monumental. Valerio Mastandrea brings chilling authenticity to the role of Ivano, portraying a cruelty that feels both real and deeply unnerving. Romana Maggiora Vergano is captivating as Marcella, balancing youthful innocence with a haunting sense of inevitability. She is a poignant reflection of Delia’s path, and her performance leaves a lasting impression. Supporting cast members like Emanuela Fanelli add warmth and occasional humor to the story, making the relationships feel intensely human.

This film has left an undeniable mark on me, audiences worldwide, and the film industry. At the David di Donatello Awards, it won Best New Director, Best Actress for Cortellesi, and Best Supporting Actress for Fanelli. It also claimed the Audience Award and a Special Jury Award at the Rome Film Festival, solidifying its status as a cinematic achievement. Even at the box office, it achieved tremendous success, grossing $50 million worldwide.

There’s Still Tomorrow pulls you into a world of pain, hope, quiet courage, and survival while showcasing the often-overlooked strength required to stand up against an unjust world. It is both a tribute to the artistry of Italy’s golden age of cinema and a meaningful conversation about female empowerment. Every moment moved me, every decision made me reflect, and by the end, I felt uplifted and inspired. This film is a masterpiece—heart-wrenching, beautiful, and impactful. It’s a must-see in theaters. And if you miss the chance to watch it there, stream it—it’s that good. You’ll understand my assessments once you’ve seen it. It’s a fantastic film, and all movie lovers should cherish it.