Babygirl

Frank’s Film Review: Babygirl
⭐⭐⭐⭐ /5

Babygirl, the much-discussed new film starring Nicole Kidman, dives headfirst into the complexities of power, control, and desire within the workplace. The film explores intimacy and dominance, offering discomfort and insight through its characters and story arc.

The plot follows Nicole Kidman as a confident and accomplished CEO who begins a contentious affair with her young intern, played by Harris Dickinson. From the opening scene, the tone is both bold and intimate. The movie starts with Kidman’s character engaging in a sexual moment with her husband, portrayed by Antonio Banderas. Unable to fully connect, she retreats to another room to fulfill her desires alone. This moment is an unflinching setup for the themes of isolation, passion, and control that define the rest of the film.

Sexuality is portrayed openly and unapologetically throughout Babygirl. The film doesn’t shy away from its provocative nature, drawing attention to the characters’ vulnerabilities and power imbalance. However, certain moments—particularly when Kidman’s character adopts a submissive role—could be unsettling. While integral to her portrayal and the story’s arc, these scenes may challenge viewers by putting their perceptions of dominance and agency under a microscope.

Nicole Kidman delivers yet another stellar performance, fully inhabiting the layered persona of a woman grappling with her own desires and decisions. She conveys the tension of someone caught between control and surrender, crafting a character that feels vulnerable yet commanding. Even though her performance shines, it may not meet the impact needed for an Oscar win. A nomination—yes!

Harris Dickinson impressively holds his own opposite Kidman, embodying the intern with ambition, charm, and emotional depth. In his supporting role as the caring husband, Antonio Banderas offers a heartfelt portrayal of love and betrayal. His sensitivity adds a compelling counterbalance to the tension and rawness of the central affair.

Cinematically, the film leans into its themes with close, intense framing and sleek visuals, immersing the audience in the private lives of these characters. The pacing alternates between deliberate contemplation and bursts of intensity, remaining engaging throughout. That said, the film’s provocative nature might overwhelm some viewers who prefer more subdued storytelling.

Ultimately, Babygirl is a bold piece of cinema, unafraid to provoke thought and elicit discomfort. It’s not merely about an illicit affair—it examines the messy intersections of power, agency, and desire within relationships and workplace dynamics. Whether you watch it in a theater or stream it at home, Babygirl is a film that demands your attention and leaves plenty to reflect on long after it ends.